Posted in November 2012

Review: Hitchcock, 2012, dir. Sacha Gervasi

Review: Hitchcock, 2012, dir. Sacha Gervasi

Watching Hitchcock you may find yourself wondering, often, what Alfred Hitchcock himself would think of Sacha Gervasi’s efforts to celebrate his life and contributions to cinema. If Anthony Hopkins’ portrayal of the man tells us anything about him, his likeliest reaction might well be a cutting remark spoken while gazing down his nose at Gervasi’s film. Hitchcock commemorates the man’s … Continue reading

Review: Rise of the Guardians, 2012, dir. Peter Ramsey

Review: Rise of the Guardians, 2012, dir. Peter Ramsey

Thinking about Rise of the Guardians, Dreamworks’ latest offering, I can’t say for sure whether Pete Ramsey mixed a heart-warming, energetic childrens’ film with a story of secular subversion or vice versa. Most likely, it’s the former; there’s little doubting that Rise of the Guardians exists first and foremost to entertain and dazzle theaters full … Continue reading

The LAMBCast: Bond!

The LAMBCast: Bond!

A week ago last Sunday, I joined a handful of fellow LAMBs– Simon, Fogs, Justin, & Dylan—  to talk about the most recent Bond film, Skyfall (my review, of course, can be found here). You all know my thoughts on the film (I kinda liked it a little bit I guess), but here the five of … Continue reading

Freshly Pressed: Welcome to A Constant Visual Feast!

Freshly Pressed: Welcome to A Constant Visual Feast!

Welcome to A Constant Visual Feast, new readers! If you’re here, I can only assume that you found me through the Freshly Pressed link I received from the wonderful editors of WordPress this very afternoon, so let me take a moment to thank you for stopping in and my review of Skyfall, for perusing my content, and for– … Continue reading

Review: Skyfall, 2012, dir. Sam Mendes

Review: Skyfall, 2012, dir. Sam Mendes

Has the James Bond franchise come full circle? Are we now at a point where there are no more secrets to the world’s most famous globe-trotting, womanizing, martini-guzzling spy? By the time Sam Mendes directs Skyfall, his entry in the half-a-century-old series, to its logical conclusion, we’ve actually experienced cinema of regression, watching as the … Continue reading