Tagged with 2010 films …

Review: Black Swan, 2010, dir. Darren Aronofsky

Review: Black Swan, 2010, dir. Darren Aronofsky

Black Swan could almost be called The Wrestler 2 despite not featuring strapping, muscle-bound men in tights and torn jeans beating each other with their fists and the occasional piece of hardware in bouts with predetermined outcomes; Darren Aronofsky here uses the lens of ballet to continue examining the lengths performance artists will go to, … Continue reading →

Review: Animal Kingdom, 2010, David Michôd

Review: Animal Kingdom, 2010, David Michôd

If there existed a “Best Debut” category at any of the self-aggrandizing awards shows which infect popular consciousness during the winter months of the year, then David Michôd would be a shoe-in. His very first feature, Animal Kingdom, isn’t ostentatious or glitzy; it’s far too self-assured to rely on gimmicks, adroitly made with the confidence … Continue reading →

Andrew’s Top 10 of 2010 (pt.1)

Andrew’s Top 10 of 2010 (pt.1)

It’s that time of year (hey, at least it’s closer to that time of year than I was last January)– time for me to pontificate about which films released in 2010 tickled my fancy enough to be worthy of placement on my top ten list. I had a rough time with this year, personally; I’m … Continue reading →

Review: The King’s Speech, 2010, Tom Hooper

Review: The King’s Speech, 2010, Tom Hooper

Tom Hooper’s critical darling The King’s Speech could have been made strictly as a breezy piece of crowd-pleasing art house entertainment, light, airy, and ultimately forgettable, and it still would have been worth seeing. Alternately it could have been approached explicitly as a period drama intent on examining the speech impediment of the man who … Continue reading →

Review: The Town, 2010, dir. Ben Affleck

The Town serves as a direct competition between Ben Affleck, actor, and Ben Affleck, director, in a bid to determine which of the two stands out as the dominant personality. Anyone who saw 2007’s Gone Baby Gone already can guess that the latter incarnation of the Cambridge-born Affleck emerges victorious, and if anything, The Town … Continue reading →

Review: Exit Through the Gift Shop, 2010, dir. Banksy

Review: Exit Through the Gift Shop, 2010, dir. Banksy

How much of Exit Through the Gift Shop is true? Inevitably and for many, this question is the primary point of interest in discussions of the enigmatic Banksy‘s documentary about street art, in a broad sense, and more specifically his interactions with Thierry Guetta. In point of fact, popular theory supposes that Exit Through the … Continue reading →

Review: Made in Dagenham, 2010, dir. Nigel Cole

Calling a movie like Made in Dagenham predictable makes me sound incompetent. Of course it’s predictable. It’s based on something that actually happened, the outcome of which I’m well aware. (Titanic was predictable, too. The ship sank at the end! How tragic!) Be that as it may, predictable is exactly what Made in Dagenham is– … Continue reading →

Review: Greenberg, 2010, dir. Noah Baumbach

Director Noah Baumbach (The Squid and the Whale, Margot At the Wedding) is no stranger to awkward family dynamics; for him, it’s well-tread territory that he’s obviously and contradictorily comfortable exploring in his cinema. Which, for some, might make his latest effort, Greenberg, feel somewhat effortless and even slight considering the source. After all, he’s done it … Continue reading →

Review: Megamind, 2010, dir. Tom McGrath

Dreamworks’ 2010 resembles something of a roller coaster, climbing to the peak of ascension in March with the outstanding How to Train Your Dragon before racing back down the rails with May’s Shrek Forever After. This November, the studio has risen back up to the middle with their original (if one can call it that … Continue reading →