Tagged with foreign films

Review: Rebels of the Neon God, 1992, dir. Tsai Ming-liang

Review: Rebels of the Neon God, 1992, dir. Tsai Ming-liang

“If Tsai Ming-liang hadn’t beaten Nicolas Winding Refn’s career to the punch by several years, Rebels of the Neon God would have been a killer moniker for one of the great Dane’s as-yet-unimagined future projects. Even in that alternate timeline, though, Tsai’s debut feature comes from such a culturally specific place that only he could … Continue reading

WTH Just Happened?: ‘Where is Mama’s Boy?’

WTH Just Happened?: ‘Where is Mama’s Boy?’

“Ever blind-watched a movie just because you recognized its supporting cast? Have you ever thought to yourself, “Hey, I know this person from the secondary roles they’ve played in internationally prominent films!” and used that as justification to check out the random, obscure titles they spend most of their timing slumming it in? If so, … Continue reading

Goodbye to Language, 2015, dir. Jean-Luc Godard

Goodbye to Language, 2015, dir. Jean-Luc Godard

“Jean-Luc Godard has made his new film, Goodbye to Language, in much the same spirit as Tarō Gomi’s seminal children’s book Everyone Poops: no matter what differences may set us apart from one another, we’re all united through our undeniable human need to defecate. It’s the greatest of equalizers.” (Via Paste Magazine.)

Review: R100, 2015, dir. Hitoshi Matsumoto

Review: R100, 2015, dir. Hitoshi Matsumoto

“In R100, Takafumi Katayama (Nao Ōmori), a workaholic father burdened by loneliness over his wife’s catatonic state, decides to sign up for a one-year contract with a gentleman’s bondage club. Membership comes with a few decidedly inconvenient stipulations; most notably, he must live all 365 days in constant anxiety over where, and when, he might … Continue reading

Review: In the Loop, 2009, dir. Armando Iannucci

Review: In the Loop, 2009, dir. Armando Iannucci

If one word describes In the Loop, Armando Iannucci’s 2009 political satire, it’s almost certainly “scathing”. If two, that and “unforgiving”. Going further would only yield an entire novella of words meant to convey intense discontent or outright anger, and indeed the only declarative statement I can make about the film in the positive is … Continue reading